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2026Combat Sports
Marine Corps veteran Brian Moisant from Gracie Barra Summerville wins the belt at NJJF Myrtle Beach.
Studio online
XLNT Visuals is a production studio making commercial films, documentary, combat sports coverage and photography — shot and finished in-house, so the thing that gets planned is the thing that gets delivered.
A working portfolio, not a highlight reel — each one links to how it was made.

Combat Sports
Marine Corps veteran Brian Moisant from Gracie Barra Summerville wins the belt at NJJF Myrtle Beach.

Combat Sports
Watch Bruninho Maia put on a high-level BJJ performance at New Breed Myrtle Beach Triple Crown, chaining attacks together with relentless movement and precision.

Combat Sports
Justin Mata nails a fast Judo throw to Arm Bar immediately at New Breed Myrtle Beach.

Combat Sports
Watch Justin Mata put on a clinic in no-gi Brazilian Jiu-Jitsu. Relentless pressure, explosive takedowns, and submission hunting from start to finish.

Commercial
How to Make a Kids Business | 108% ROI on Day 1

Commercial
Vic Monts with a SLICK Bow and Arrow choke at NJJF Myrtle Beach
Four stages, same crew end to end — nothing gets handed off and lost between them.
01Concept
We map deliverables to the shot list before anyone shows up — so nothing is improvised on the day and no setup is wasted.
02Capture
On site or mat-side, photo and video captured together by the same crew so every asset shares one look.
03Cut
Selects, colour, sound and captions cut to platform specs — horizontal masters and vertical crops both, not one cropped from the other.
04Deliver
Full-resolution exports, organised and yours outright. No watermarks, no rented platform, no ongoing licence fee.
Six disciplines, all handled in-house — take the whole chain or bring us in for the part you need.
Brand films and commercial video production built around a single idea, shot with intent and cut to hold attention. From concept and boards through to the final delivery master.
Documentary filmmaking that earns its access. Long-form and short-form work that follows real people over real time, structured in the edit rather than staged on the day.
Vertical-first social media content designed for the platform it lives on, not cropped down from a landscape master after the fact. Built to be shot once and cut many ways.
Brazilian Jiu-Jitsu, grappling and combat sports videography. Tournament and gym coverage shot by people who understand the sport well enough to know where the moment is going before it happens.
Stills that hold up next to the film. Shot alongside video on the same day or as a standalone commission, delivered fully retouched and colour-matched to the motion work.
The finish. Professional video editing, colour grading, sound design and VFX — available as the back half of a full production or as a standalone post service on footage you already have.
Every package scopes to your shoot and your calendar — send the brief and we'll confirm the day rate.
Single shoot
Best for a one-off shoot or event.
Most booked
Best for a campaign or a content sprint.
Ongoing
Best for brands publishing every week.
About XLNT
XLNT Visuals is a production studio that shoots and finishes its own work. Camera, edit, colour, sound — the whole chain under one roof, which means the thing that gets planned is the thing that gets delivered.
Most of what we make lives in one of three places: brand and commercial films, documentary work that takes the time it needs, and combat sports coverage shot by people who understand the sport. Photography runs alongside all of it.
No house style imposed on every job. The grade, the pace and the mix are decided by what the film is, not by a preset.
If yours isn't here, ask it in the form — we answer every inquiry.
Yes, completely. Every raw file and export is yours to keep — no rented platform, no watermark, and no ongoing licence fee. We keep a copy for our own portfolio only if you're happy for us to.
Regularly. Combat sports coverage is one of the things we do most — tournaments, gym and training films, athlete profiles and match capture. Knowing the sport is the difference between filming a scramble and being in the right place before it happens.
Two to three weeks is comfortable for a single shoot day, and longer for anything that needs casting, locations or permits. Tournaments and event dates fill up faster, so get those in as early as you can. If something is urgent, ask anyway — we can sometimes move.
It depends on the piece. Fast-turnaround event edits can be delivered within 48 hours; a documentary or a full commercial takes as long as it takes to be right. We agree the delivery date before the shoot, and you see cuts as they develop rather than a reveal at the end.
Yes. Post-production is available as a standalone service — story edit, colour grade, sound design, VFX and finishing on material you shot yourself or commissioned elsewhere.